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Works Cited

Daalder, Joost. "Which is the most Authoritative Early Translation of Wilde's
Salomé?" English Studies: A Journal of English Language and Literature 85 (2004): 47-55.

Ellmann, Richard. . New York: Alfred A. Knopf, 1988.

Laity, Cassandra. H.D. and the Victorian Fin De Siècle. New York: Cambridge University Press, 1996.

Nelson, Walter W. Oscar Wilde from Ravenna to Salome: A Survey of Contemporary English Criticism. Dublin: Dublin University Press Ltd, 1987.

Saix, Guillot de. Le Chant Du Cygne: Conte parlés d'Oscar WIlde. Ed. Fletcher,Ian and Stokes, John. New York & London: Garland Publishing, Inc, 1979.

Satzinger, Christa. The French Influences on Oscar Wilde's the Picture of Dorian Gray and Salome. Lewiston, New York/Salzburg, Austri: The Edwin Mellen Press, 1994.

Symington, Mirceala. "Poetique De La Critique Symboliste." MLN 114.5 (1999): 1110-8.

Wilde, Oscar. Salome: A Tragedy in One Act, Translated from the French of Oscar Wilde by Lord Alfred Douglas with a New Introduction by Holbrook Jackson, Decorated and Hand-Illuminated by Valenti Angelo for the Heritage Press New York. New York: Heritage Press, 1945.

---. Salome: A Tragedy in One Act: Translated from the French of Oscar Wilde by Lord Alfred Douglas Pictured by Aubrey Beardsley. New York: Dover Publications, Inc, 1967.

---. Salome: A Tragedy in One Act: Translated from the French of Oscar Wilde, with Sixteen Drawings by Aubrey Beardsley. Ed. Robert Ross. New York: J.J. Little & Ives Company, 1906.

Zatlin, Linda Gertner. Beardsley, Japonisme, and the Perversion of the Victorian Ideal. New York: The Cambridge University Press, 1997.

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